Head Bangers, Earthdogs And Metal Merchants

Maybe I am just a bit old-fashioned but I really love a good EP, it’s just the right length for me, usually pressed on 12″ vinyl so you get some (im)proper artwork and they are usually decent value for money.

Iron Maiden Maiden Japan may be my favourite rock EP of all. Five tracks long*, great punning title, great samurai Eddie art that I used to have on a sew-on patch on my jeans 32 years ago, it rocks like a spiky bastard and as Di’anno’s last stand, it marked a pivot point in the band’s history.

Not bad for a release the band never wanted to happen which was forced through by the Japanese arm of Toshiba-EMI.

Band: ah well, we’re done appropriating Japanese culture/images now

Cards on the table time, Paul Di’anno is by far my favourite Maiden singer** I just love the guttersnipe grit and power he brought to the band. Steve Harris would rather saw his own head off with a butter knife than admit it but there is a definite punky energy here and Di’anno appears to have been the conduit for it.

Maiden Japan kicks down the front doors with ‘Running Free’ which sounds distinctly underpowered at first, there’s even a touch of ‘Tiger Feet’ in the intro but soon picks up once Di’Anno starts to growl along with the guitars. You can hear Adrian Smith and Dave Murray locking into the groove and each others’ playing. I like the version of ‘Remember Tomorrow’ here, more than the one on Iron Maiden, although I would struggle to clap along with it as Di’Anno asks the audience to.

That’s all okay but it is the other side of Maiden Japan that gives me my oats. I may have mentioned that I quite like ‘Wrathchild’ and this version has a particularly venomous attack, the guitars razor sharp, clocking in at a very punk metal 2:52 this is just perfect. The band clearly relish playing the title track of their new LP out, ‘Killers’ is brilliantly heavy, the band charging forwards at breakneck speed the guitars laying waste to all in their path. Iron Maiden actually sounded very dangerous back in ’81.

Last track up is ‘Innocent Exile’ which is a really interesting choice, nobody’s favourite Maiden track^ I am so pleased they put it on here rather than one of the tunes we still hear played out today. I like the way it veers from section to section, messily like an armoured prog rock rhino on a serious methamphetamine jag and I love the churning bass. It highlights two things for me, Di’anno’s limitations as a vocalist and that Steve Harris has long been yearning to unleash intricate prog tracks on an unsuspecting audience long before Benjamin Breeg reared his head.


I have really enjoyed playing Maiden Japan again, there’s a certain naïve adrenalin to it that I’m just a sucker for and it is a really great little artefact.

Plus the band get big kudos from me for being pretty much the one and only bunch of rockers to admitting to tidying it up a bit, ‘a couple of overdubs … but who gives a **** anyway’. Quite right too fellas, we don’t.


I love the story that Derek Riggs had to hastily redo the artwork for Maiden Japan because the original showed Eddie holding Di’anno’s severed head at a time when the band were looking to replace him. My metal uncle had a copy of the Venezeulan version of Maiden Japan that had the original artwork on it, because = obsessive genes run in the family.

Plus let’s hear it for the polythene shaped inner sleeves that you used to find on North American and Aussie import LPs, there was something very satisfying about the shape, although if you weren’t careful they’d crease up like all hell.

Oh yes baby, THAT’s what I’m talking about, fits so good!

1097 Down.

PS: can I copyright the post title Midden Japan for when I review Senjutsu in the year 2045, if I don’t like it very much?

PPS: Because I love you:

I’ve Got The Fire is a superb ending track here, almost sounds like Motörhead

*I invested in the Canadian version to get the extra track, ‘Wrathchild’ for Crom’s sake! That’s no extra, that’s my favourite maiden track!!

**although I totally understand why they binned him off, I suspect he’d have been a hard man to share space with and they would probably only have lasted another 4 months as a band with him at the mic.

^no it isn’t HMO, you’re just being contrary!

26 thoughts on “Head Bangers, Earthdogs And Metal Merchants

  1. When there’s a feature of something I really like, I’m always curious as to how much my enjoyment was enhanced by that feature.
    I’ve argued Stanley Tucci’s presence tends to enhance movies featuring him by 20%, I imagine a solid pun in the album title gives my enjoyment a similar % boost!

    1. No, sadly he had a burglary many years ago and they took all his records and his sound system. Poor guy, had stuff you simply would not believe – especially Maiden, he had everything – Soundhouse Tapes, signed stuff, signed Ozzy stuff, all sorts, Bastards!

    1. Weekend warriors? pah, tourist! Women In Uniform is where they peaked, where popular music peaked tbh. It’s why I only listen to classical now.

    1. Did he still have much of a voice left? I still can’t believe he did a deal where he forfeited all his Maiden royalties for a lump sum back in ’82.

  2. I had your application to become a Canadian citizen in hand and almost approved when I read you bought a Canadian copy.
    However you never mentioned the Nimbus 9 Toronto mixing.
    I also assumed you were on strong hallucinogens when you said anyone other than Bruce your fave Maiden singer and commended those god forsaken wrinkled up old sleeves.
    Maybe apply next year eh

    1. Damnit. Yup, Di’anno over Bruce – despite the fact I recognise he’s by far their best singer, he’s not my favourite. I didn’t like him much after I read his autobiography, I would struggle to explain why; probably just jealousy!

      1. Canada just removed the tariffs on bringing Lego and vinyl records into the country too
        Sorry about that