Huffa-Puffa Sounds

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Here’s a real blast from the past, possibly where it all began for me.  I grew up in a household with lots of music in it and I can dimly remember songs and music being around, but these two beauties are the first actual records I can remember.  So what sparked off my all-consuming*, fetishistic desire for vinyl then? some rare Zappa perchance? Beatles B-sides? Manfred Man EPs?  nope, meet some epoch-making 7″ mono fellas from my early childhood:

  • Change At Templecombe
  • Panniers And Prairies

Both field recordings of various steam engines from 1956 and 1957, in the West Country released on the Argo Transacord record label in 1967.  Neither of my parents are train freaks, so I’m not entirely sure how they came upon these and it’s way too late at night to ask.  The west country links might be a clue, since we are originally from the Somerset area.

The description
The description

Each record comes with a very detailed description on the back of the different trains recorded, what/where/why they were doing.  The B-side on Change At Templecombe for example is described as, ‘At Evercreech Junction on a damp and windy morning in August 1956′.  Which is useful because due to a certain amount of surface noise, it is all a little indiscernible as a bunch of ‘huffa-puffa’ sounds, whistles and clattering wheels – personally I like the bits where they make a different noise going over bridges.  All were directed by eminent sound recordist, Peter Handford.

Now I hasten to add that, apart from an all-consuming obsession with the Rev R.W Awdry’s Railway Series of books for a few years and the fact I do think they are beautiful machines, I’m not a steam nut.  Okay, so I do like a ride on a steam train but I’m in control of it, sometimes I can go for 3 days without, before the shaking starts!  I do find it fascinating though that these records were produced they apparently sold 30-40,000 copies/year.  Possibly for nostalgic reasons because as the records came out, the steam engines were just at the end of being phased out in Britain**.

Argo Transacord 02

Argo Transacord, as the label design hints at were part of the Decca group.  There is something a bit delicious about the fact that the same label was releasing a recording of a ‘1400’ class 0-4-2 tank dealing with a heavy load of trucks in Princes Risborough and Rolling Stones We Love You in the same year.

I bought a compilation on the Touch Records label last year which was full of field recordings like these^ amongst all the ambient stuff, technology has improved but the urge to record and preserve our environment remains.

Argo Transacord 01

So along with the Beatrix Potter 7″ of The Tale of Peter Rabbit^^ and, inevitably, ‘Puff The Magic Dragon’^* a seed was planted deep in my skull as I grasped these strange flat objects in my chubby little hands, that then blossomed into the large cardboard and plastic menagerie which occupies my front room.  Maybe they should have carried a government health warning:

Warning: May have addictive properties in those with strange personality quirks.

 418 Down (Still).

*or all-wealth-consuming.

**don’t get me started on Beeching!!  (note for foreign chaps/chapesses: he was the gentleman in charge of modernising the UK’s railways – i.e. no steam trains, close all the little branch lines).

^albeit of babbling brooks, wind amongst the pines and street noise not steam trains.

^^reviewed in the NME as ‘a stunning fuck you from the Lake District’s rowdiest hellion’. True story.

^*which I still refuse to believe is a drugs reference.

25 thoughts on “Huffa-Puffa Sounds

  1. CB was a railroader in another life. I could tell you stories of the people that would come down to the tracks with their recording devices, rain, shine, snow, night, day. Sitting in trees, tunnels, ditches, bridges. In the city, country. Young, old. We brought one young guy up on the locomotive and put him in the engine room. He came unglued. It was louder than a Who concert in there. You talk about addicted. One guy was arrested multiple times for trespassing but just kept coming back. VC did a piece on some train records he has. Great album cover for the Tedeschi /Trucks album ‘Made Up Mind’

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  2. Love this. A couple years ago my dad came over and presented me with a record. It was a 7″ from the Chevrolet car company. This record was a promotional record they sent to all the dealerships back in the late 50s to promote their newest sports car, the Corvette. My grandfather owned a Chevy dealership back in the late 50s in northeast Indiana and my dad had kept the record from when he was a kid. What was on this record? It was some boring guy talking, partly. The other part was a microphone under the hood of a Chevy Corvette as it went pedal to the metal on a race track. I cranked the stereo. The windows shook, the dog ran, and my dad was beaming.

    It was glorious.

    Not quite like trains, but a similar gateway LP into the sordid world of vinyl collecting.

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  3. Mmmmm. There’s a tortoise lying on its back in the desert… Except for you, it’d be… there a record lying out of its sleeve… Replicant.

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  4. So cool, your first is a sound FX record too.
    I still have my Grandmother’s Hartz Mountain (bird seed company) 78rpm 7″ RED vinyl EP used to train budgies to sing. I have a very old and bird-spackled memory of Nana showing me how to puttheneedleontherecord,puttheneedleontherecord, puttheneedleontherecordandthedancefloormoveslikeTHIS…..

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    1. Far more useful I’d have thought to train budgies to use Microsoft Excel, or basic self-defence skills.

      Sorry, I just noticed, RED vinyl?! Quick eBay it as a rare 7″ by Budgie!

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  5. A while back I received a set of the Topic Records “Radio Ballads”, created by Ewan MacColl and Charles Parker between 1957 and 1964. I’m embarrassed to say that the only one I’ve listened to so far is “The Ballad of John Axon” about the railways. There is some huffa-puffa on that.

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